If you take one thing from this page: your only real job is to be genuinely curious. Everything else follows from that.
You choose a handful of songs from Brody's catalog and put them in an order that means something to you. That set list is the spine of the evening.
Between songs, you draw out the stories behind them or your observations, and open things up to the room. You decide what is worth lingering on.
Your friends, followers, and community help fill the room. A SESSIONS night is as much your gathering as it is a concert.
This is a stage for your curiosity and leadership. Feature your own work — your project, your business, your cause, whatever you want more people to know about.
It is not a pulpit. It is a conversation. The best hosts explore and learn as much about themselves as they do about the songs or the artist.
There is no wrong way in. Listen to the whole catalog if you want to, but you don't have to. Here are some prompts to help you decide:
The songs you are drawn to, or simply enjoy. This is the most honest place to start, and it shows the room how personal music really is. What lands for you might land differently tomorrow, or in another room. That is the point.
The songs you find hardest, strangest, or least comfortable. That friction makes for a better conversation than easy agreement ever will.
Any lens you want. Songs about a topic or implication. Songs with a particular feeling. Or a weird chord progression. Songs that don't make sense. Unrecorded songs. Songs that rhyme with your own work. Whatever the thread, say it out loud and tell the audience why you chose what you chose. The disclosure is part of the show.
Each song has a page with full lyrics, notes/interpretations, and links to a studio recording or a demo — and the songbook has a search box to find songs by title, lyric, or theme. Open the songbook →
Let the pauses breathe. A pause is not a problem to solve, it is the room thinking. Resist the urge to fill it. The best answers arrive after the quiet.
Curiosity is the whole job. Follow the thread that interests you, not the one you think you are supposed to follow. If you are genuinely interested, the room will be too.
The night works when your questions make the songs, and the people answering them, look better. You are not there to be impressive. You are there to make the room feel something true.
Intuit the room. Ask the room for a response or question if that feels fitting. Or don't. Your call. There are different ways that everyone can feel connected to what's coming from stage.
The night and stage are shared, so Brody holds to two rules on stage. Knowing them helps you lead with confidence.
When you ask, expect Brody to give you a real answer. He will tend to want to ask you a question about your question (as is his habit), and you have to be prepared to put it right back on him.
At moments, Brody will point the conversation back at you, at your work, your read, your perspective. His job is to draw you out almost as much as you draw out the artist and audience.
Those two pull against each other on purpose: he gives you a straight answer, then turns the question back on you. Living in that tension is where the real conversation happens.
A SESSIONS night gives your people a chance to see a different side of you — curating, thinking out loud, holding a room. It's a rare, celebratory evening with your name on it and a great song behind every idea. Ask the people you'd love in the seats for that.
The monthly residency lives at Meander, but SESSIONS travels. If hosting one night lights something up, we can build another at your own venue, church, conference room, or living room — produced start to finish.
And you don't have to be on the Meander lineup to bring SESSIONS to your people. If you've got a room and an audience, start a conversation.
Start with the songs. Open the songbook, find the ones you cannot stop thinking about, and we will build the night from there.